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Kantha Nakshi

Etymology
Kantha The word has no etymological root satisfactorily. The exact time of origin is not known with Kantha precision, but it probably had a forerunner in Jeta (khet in Hindi and Bengali means "field"). According to Zaman Niaz original word for Kantha kontha Sanskrit word meaning Kantha cloth is made of rags.
Kantha Tradition
Like any folk art Kantha outlet influenenced by other factors such as materials available, the daily requirements, climate, geography, economic factors. Probably the oldest form of Kantha Kantha Kantha has been working Patch applied and decorative-evolved from this.
Kantha literature
The oldest reference to Kantha of Bengal in the book, "Sri Sri Chaitanya Charitamrita "by Krishna Kaviraj was written some five hundred years ago.
Make Kantha
Traditionally old sari, dhoti and lungi used to Kantha. Kantha I was not doing a full-time work and women in almost all households were experts in the field. Rural women have worked for free time or during the days of the relaxation and the year the rainy season, months or even for taking and Kantha was a normal end. At least 5 / 7 saris are required for a standard size Kantha. Today, the old materials are replaced by new cotton fabrics. Traditionally, cable is obtained from old saris is rare in practice today.
When Kantha Sharee first met to achieve the required size, then the layers are spread on the ground. The canvases are smoothed leaving no wrinkles or folds between them. During the process of the fabric is held flat on the floor with weights on the edges. Then the four edges are sewn and two or three rows of large work items are taken to keep all Kantha. At this stage, Kantha can be folded and sewn in spare time.
The drawings and original designs have been drawn on the canvas. The design was described for the first time with a needle and thread followed by the coordinators and patterns have been made. In Kantha with a central dominant motif of the center is performed first, followed by angle drawings and other details. In some types of Kantha (carpet, Lik and sujunis, etc) wooden blocks used to print the map. The blocks are now replaced by reasons layer of paper.
Different types of Kantha
Niaz Zaman in his book The Art of Kantha Kantha embroidery classified into the following categories, according to the point of Employees:
Kantha stitch in operation: The operation is really the Indian Kantha Kantha. Subdevided Nakshi and Tola are nominal or figured or patterned. Nakshi Kantha or figurative is again divided in Kantha and landscape pattern.
Lohori Kantha: The name derives from the Persian word meaning FSD vague. This is particularly popular Kantha of Rajshahi. These are subdivided into soybean Kantha (right or simple) Kantha, Kauta charchala Khupe (pegion Coop or triangle), or diamond borfi (, Atchalan or barachala etc.)
Lik or Anarasi (pineapple), Kantha: Located in the area and Jessore Chapainawabgonj. The variations are so Lik, lik tile, Jhumka lik, lik lohori.
Cross stitch Kantha or carpet: This Kantha was introduced by the British during the British rule in India. Kantha point used in these cross-stitch.
Sujunis Kantha: This Kantha is found only in Rajshahi popular area.The reason used is undulating floral and vine.
Influence of religion and belief
Kantha stitches
The first and most important point in Kantha is the point in the operation. The predominant form of this point is called camphor or Kantha Kantha point. The other form of points used are punished or darning patterns, or Kaity bend point, darning stitch weaving, Jessore point (a variant of mending point), point of thread before, or fora Lik anarasi or Hasia Ghar (point Holbein). The points are used in modern Kantha Kasmire point and arrowhead. Satin stitches as herring bone stitch, back stitch cross stitch are used from time to when
Various items
Kantha quilts generally designate is used as packaging and all items manufactured by the old sewing fabric may also be designated by the same generic name. However, depending on size and Kantha objective can be divided into different sections, each with its specific name. Several Kantha Articles include:
Quilt (SARA Bengali)
A light cotton on the basis of old saris / dhotis / lungis and sometimes sheet webs.
difference significant (naks Kantha in Bengali)
A quilt bearing traditional embroidery and innovative
Bid-floor spreading (in Bengali Asón)
Tela Spraos to sit in a place of worship or guest of honor.
Cosmetic Packaging (Arshilota in Bengali)
Close container and store roll embroidery a woman's comb, mirror, the eyes with kohl, vermilion, sandal paste, a bottle of oil etc.Often chain is going to participate in the film as Satcher later date.
Portfolio (Batwa Thoiley in Bengali)
small envelope-shaped bag to keep the money, betel leaves, etc.
Coverage of the Quran (Arabic ghilaf and Bengali)
On bag-shaped cover the Qur'an
prayer mat (Jainamaz in Bengali)
Mats used by Muslims to pray.
floor spreading (Galich in Bengali)
Floor coverings.
Wipes packaging (Bostan, Guthrie in Bengali)
A square envelope for books and other valuables.
Cover (Dhakni in Bengali)
Fabric cover different shapes and sizes.
ceremonial food tasty (Daste Khan in Bengali)
A variation of food used in meals.
Cushion (Oshare Balish sheet or in Bengali)
A piece of flat pillow exclusive coverage.
Handkerchief (Rumal)
Small and square.
modern articles
Today, new uses are found by Kantha Nakshi like quilts, tapestries, bag covers Cushon, Ladies hand, place mats, boxes jewellary, fronts of dresses, skirts border, shawls and Sharee
Motivation
Grounds are deeply influenced Kantha Nakshi by religious beliefs and culture. Although not strictly specific symmetry attended a finely embroidered Kantha naks always have a focal point. Most of Kantha has a lotus flower as the focal point, around Lotus vine or become more undulating border with floral Shari. The reasons may include images of flowers and leaves, birds and fish, animals, shapes kithen toilet itself.
Although most kantas some initial pattern, no two kantas naks it. traditional motifs are repeated the individualtouch in a variety of stitches, colors and shapes. The reasons notabale in Kantha naks are:
Lotus reasons
Lotus pattern
Lotus is the pattern the most common reasons Kantha. This pattern is associated with Hindu iconography, and is also very popular in Kantha. Lotus is the seat Devine, is also a symbol of cosmic harmony and femininity essential. Lotus is the symbol of eternal order, earth water and sky of the Union. It represents the life giving power of water, but also the sun is associated with opening and closing of the petals. It is also the symbol of the power to recreate life. With the depletion of water lotus and dies with the rain that comes to life. Lotus is associated with purity and the goddess Lakshmi, the goddess of fortune and abundance. There are several ways employers astadal Padma lotus of eight petals of the Satadal one hundred petals. In Kantha central reason is almost always a lotus flower to the top view.
The reason Sun
The reason Sun IC closely associated with the lotus motif. Often, the lotus and motives sun come together at least in the center of a Nakshi Kantha. The reason sun symbolizes the life giving power of the sun. The sun is associated with the fire that plays an important role in Hindu rituals, religious and doubles.
Luna grounds
The reason for the moon and religious influence is very popular among Muslims. Above all, in a half moon with a star. The pattern Kantha is especially jainamaz.
The wheel pattern
The wheel is a common symbol in Indian art, both Hindus and Buddhists. It is the symbol of order and order. The wheel also represents the world. The wheel is a popular theme in Kantha even when the manufacturer has forgotten the meaning of the symbol. The pattern is relatively easy do with the cat metaphor.
The swastika pattern
Swastika
Seals of the Indus Valley, upper right is swastika
Its Sanskrit asti means that it is good. As a motif in Indian art that dates back to the Indus Valley civilization. It is a symbol of good fortune. It is also known as or muchri Dhanda Golok. Over time the design is more curvilinear four armed swastika Mohenjodaro seal. Design synmbolic significant influence on Hinduism, Buddhism and Jainism.
The Tree of Life Pattern
Contemporary Nakshi Kantha (used as a tapestry) on animals, fish, butterflies, trees and ground the man's face
The influence of this motif in the art of indigenous culture (as Kantha) date back to the Indus Valley civilization. It is likely that the people of the Indus has developed the Pipal tree to life … devata with the inside of the power of fertility. During the Buddhist cult of the tree continues. Pipal is sacred to the Buddha received enlightenment because under its shadow. It reflects the fecundity of nature and is very popular in Bengal. Vines and climbing plants play an important role in Kantha and contain the same symbolism that the tree of life. A pattern is very popular in Rajshahi lohori betel leaf.
Reason Kalka
Close Kalka sight of land
There is a reason the last day, dating from the Mughal era. Draw a Paisley Kalka originated in Persia and Kashmir and became a comprehensive picture of the subcontinent decorative motif. It can be compared to a mango stylized maple leaf, or flames. The model is attractive kalka and the number of varieties are tested. Similar patterns can be found in traditional Kashmiri shawls.
Groundwater:
The pattern of the mountain
The pattern of fish:
The ship of reasons:
The reason Footprint:
Homonymy Rath [edit] Reason:
Mosque of reasons:
The palm of the hand Caesar or Reason:
Farm implements:
Motivation Animals
Goods Services:
Kithen Instruments:
Kantha Reason:
Palanquin Reason:
Borders
Borders of the above: the stalk of rice, scorpions, pea eyes, wavy or folded, amulet
From the top: shamuk Taga, eyes bordr, miscellenious key border border Diamond wave border border
Most Kantha Nakshi have a border sari borders sewn on a border or model is embridered Kantha around. The common border in Kantha are:
From the top: Collar of borders, border visceral level Taga, Taga chik, the ring of the border in the nose, fish border Taga, Taga Taga Panchs bisa, Anajo
The stem or branch dated shell (or shish khejur dhan Chari)
The border Scorpion (by Biche in Bengali)
The wavy or bent at the border (Beki in Bengali)
Diamond Frontier (Barfi)
The edge of the eyes (chok in Bengali)
The border Amulet (for Taabiz in Bengali)
The border collar (Mala in Bengali)
The border Escalera (Taga Me)
Taga Gut
The Taga Chicken
The Taga nolok
The fish at the border (Maach in Bengali)
The Taga panch
The Bisa Taga
The Taga Anajo
The Taga shamuk
The key border
The Anchor (for Bengali Script)
The border pen (kalam by Bengali)
Kantha in different areas
Kantha modern times
Kantha Collections
Bangladesh
Bangla Academy
Design Center BSCIC
Folk Art and Art Foundation
Bangladesh Official Web Site of the National Museum
India
Ashutosh Museum, Calcutta Official Website
Calico Museum Textile, Ahmedabad Official Website
Gurusaday Museum, ThakurpurOfficial Web Site
Kantha Nakshi Organizations
Rural Development Council Bangladesh (BRDB), Karu Palli Sales Centre official website
Kumudini Crafts (attention): Official Website
Site-BRAC Aarong: official
References
^ Nakshi Kantha-Craft Benhal accessed: November 10, 2008
^ Banglapedia Kantha-Nakshi accessed: November 10, 2008
^ Quilt (Kantha) Art of Bengal query: November 10, 2008.
^ R Ghuznabi Sayyad, a collection of drawings Aksha Bangladesh (October 1981) Page 23, Design Centre: Bangladesh Small & Home Rural Industries Corporation
^ Gurusaday Dutt; ALBUM artistic treasure Kantha (Series One) (1995) Posted by: Folk Art Society GURUSADAY Dutt, GURUSADAY MUSEUM, Bratacharigram, PO: Joka, 24-Parganas, India
^ Muhammad Sirajuddin, crafts of life in Bangladesh (January 1992), p. 44, marking International, Dhaka, Bangladesh.
^ Www.brac-aarong.com accessed: December 9, 2008
^ R Ghuznabi Sayyad; Aksha a collection of designs of Bangladesh (October 1981), p. 23, 24, Center for Design: Industries, Bangladesh Small and Rural Corporation.
Ahmad ^, Perveen, Aesthetics and Vocabulary Nakshi Kantha (1997), Bangladesh National Museum ISBN 984 585 000 6
^ Lécureux INGCA by Perveen Ahmad
Embroidery ^ Zaman, Niaz, art Kantha (Second Revised Edition-1993), page-36, University Press Limited, Dhaka, Bangladesh; ISBN 984 05 1228 5
^ Zaman, Niaz; The Kantha embroidery, (Second revised edition 1993), the University Press Limited, Dhaka, Bangladesh, ISBN 985 5 May 1228
^ Dutt, Gurusaday; album art treasure Kantha (Series One) (1995); Gurusaday Dutt Folk Art Society, Museum Gurusaday, 24 Parganas. India
^ Http: / / sos-arsenic.net/lovingbengal/quilt.html access January 2, 2009
^ Zaman, Niaz, the art of Kantha Embridery (Second Edition Published: 1993), p. 114 University Press Limited, Dhaka, Bangladesh, ISBN 984 05 of May 1228
^ Zaman, Niaz, the art of Kantha Embridery (Second Edition Published: 1993), Page-44, The University Press Limited, 45 Dhaka, Bangladesh: 984 May 5, 1228 ISBN
^ Embridery Zaman, Niaz, the art of Kantha (Second revised edition, 1993), The University Press Limited, Dhaka, Bangladesh: 984 ISBN May 5 1228
^ Ahmad, Perveen, aesthetics and vocabulary Nakshi Kantha (1997), p. v, Bangladesh National Museum: 984 ISBN 585 000 6
^ Radhakamal Mukerjee, the Flowering of Indian Art, Bombay, 1964, page-35
^ Niaz Zaman, The Art of Kantha Emroidery, (second revised edition, 1993), p. 82, The University Press Limited, Dhaka, Bangladesh, ISBN 984 May 5, 1228
^ Perveen Ahmad, aesthetics and Vocabulary Nakshi Kantha (1997), p. 92 Natinal Museum Bangladesh, Dhaka, Bangladesh: 984 ISBN 585 000 6
^ Zaman, Niaz, the art of Embridery Kantha (1993), p. 94, The University Press Limited, Dhaka, Bangladesh: 984 ISBN May 5, 1228
References
Saffron Design
Quilt (Kantha) Art of Bengal
The Bel Art Nakshi Kantha
Lecture by IGNCA Perveen Ahmad on "Aesthetics and Vocabolary of Nakshi Kantha "
Kantha embroidery embroidery.com www.Indian
independennt-bangladesh.com-Kantha-naks
Banglapedia Nakshi-Kantha
Gurusaday Museum, India
Bangladesh National Museum
www.brac-arang.com
Kantha embroidery of West Bengal
Read more
Dutt, Gurusaday; ALBUM Kantha art treasure (Series One) (1995) Posted by: Folk Art Society GURUSADAY Dutt, GURUSADAY MUSEUM, Bratacharigram, PO: Joka, 24-Parganas, India
R Sayyad Ghuznabi; Nakshi a collection drawings of Bangladesh (October 1981) Design Center: Bangladesh small and cottage industries corporation, Dhaka, Bangladesh
Sirajuddin, Mohammed Living in Crafts Bangladesh (January 1992), marking International, Dhaka, Bangladesh
Zaman, Niaz, the art of Kantha embroidery (Second Edition Revised 1993) The University Press Limited, Dhaka, Bangladesh, ISBN 984 May 5, 1228
Ahmad, Perveen, Aesthetics and Vocabulary Nakshi Kantha (1997), Bangladesh National Museum: 984 ISBN 585 000 6
Basak, Sila; Nakshi Kantha of Bengal (2007) Gyan Publication, New Delhi, India, ISBN 81 212 0895 5
v, d, e
Embroidery
Styles
Assisi Bargello Berlin work Blackwork Broderie Anglaise Broderie Perse Candlewicking Canvas work Counted thread tapestry draft darning thread stretched cross-free workplace Silver embroidery Hardanger embroidery machine smocking spines are Sprang Stumpwork Surface Suzani Trianglepoint white
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